This interview was conducted by e-mail in July 2012 and my thanks to Trevor, and to Ron DeVivo for organising it. We focus on Trevor's recent solo release, Jacaranda, later in the interview, but we start with some broader questions, looking across Trevor's long career, from commercial success with Rabbitt in South Africa, to his time in Yes, and writing film scores.
If the questions seem a bit odd(!), I was asked specifically for questions away from the usual, so I took this opportunity to quiz Trevor about a variety of topics from some unusual angles. To improve readability, I have re-arranged the order of questions and done a bit of editing.
If the questions seem a bit odd(!), I was asked specifically for questions away from the usual, so I took this opportunity to quiz Trevor about a variety of topics from some unusual angles. To improve readability, I have re-arranged the order of questions and done a bit of editing.
Henry: You went from being this huge success with Rabbitt in South Africa to coming to the UK and a less commercially successful solo career, and then back to huge audiences with Yes. What was that journey like for your self-esteem? Do the periods of big success carry you through the other times, or do they just make you more frustrated when every album doesn’t sell as well? Do you think of the fans of different parts of your musical life – Rabbitt, Yes, film scores – as being separate groups, or are you keen to pull them along with you as your work evolves?
Read on...
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